OA2 Records Reviews



Tom Tallitsch - Medicine Man
by Adam Greenberg, All Music Guide

A nice sophomore set from Philadelphia area saxman Tom Tallitsch, Medicine Man casually grooves its way through a series of original compositions while making full use of the accompanying band. Indeed, Tallitsch is heard less than one might expect on an album that he leads. Not that he's absent in any way from the proceedings, but this is definitely an ensemble album, not a solo project. The opening title track starts out the affair with a... read more

Mason Razavi - Quartet Plus, Volume 2
by Domi, Republic of Jazz

The interesting thing Razavi does on this second 'quartet' outing is show that you can be a classically styled guitar jazzbo without having to show that you can chase the ghost of Wes and catch him. Firmly his own cat, this solid program of mostly originals is right in the pocket of great playing making for great listening. A real winner of a set, this is the kind of stuff that fools you initially into think it's dinner music but gently elbows... read more

Francesco Crosara - Circular Motion
by Matt Micucci, JAZZIZ

*EDITOR'S CHOICE* Chick Corea's influence on Francesco Crosara can be heard throughout the Italian-born pianist's recent recording Circular Motion (OA2). Like Corea, Crosara refuses to be pigeonholed as a straightahead or fusion jazz artist, but rather seamlessly combines their aesthetics and instrumentation throughout the album. The Seattle-based pianist employs three separate trios over the original 10-track program, and switches... read more

Danny Green - Altered Narratives
by Chris Spector, Midwest Review

Everything here seems appropriate. Recorded for Origin's 'after hours' label with production vet Matt Pierson at the helm, this jazz piano trio date seems like the perfect after hours set. Recorded with that after hours, there's no one in the studio but us, vibe this is the perfect classic feeling date that simply has to dust on it. A killer listening set, it's a real joy and time well spent. Killer stuff throughout everyone on board can... read more

Erik Skov - Liminality
by Jack Bowers, All About Jazz

Liminality is defined as "occupying a position at, or on both sides of, a boundary or threshold." Guitarist Erik Skov had a good idea: infuse his debut album with a certain amount of liminality (ambivalence) in the form of eight long-form compositions designed to lend his able sextet weighty meat on which to chew.

While Skov's essentially laid-back themes no doubt gauge the group's compatibility, what lies in their wake is a more or less... read more

Nathan Borton - Each Step
by George W Harris, Jazz Weekly

Classy sounding guitarist Nathan Borton mixes hints of Wes Montgomery and Grant Green on this winning session in quartet and beyond format with a core of Xavier Davis/p, Rodney Whitaker/b and Keith Hall/dr with guests Diego Rivera/ts and Chris Glassman/btb.

There's an easy swing reminiscent of Montgomery's halcyon days on the Riverside label on the clean and melodic "Each Step" and the supporting team shows how to dig a sharp groove on the... read more

Debbie Poryes | Bruce Williamson - Two and Fro
by Kyle O'Brien, Jazz Society of Oregon

Jazz has either gotten quieter or louder, depending on the new releases you hear, no matter the genre. Younger musicians seem to be gravitating towards more instruments, more textures and louder volumes. Seasoned musicians have often opted to pare down their groups, experimenting with duos, trios and solo albums. This disc falls into the latter category, but it manages to remain interesting. Pianist Poryes and saxophonist/flutist/clarinetist... read more

Marco de Carvalho - For The Moment
by , All About Jazz

Brazilian guitarist Marco de Carvalho lays back on For the Moment, where he dwells almost exclusively in mounting relaxed grooves suffused with the endemic melodic tropical sensuousness so characteristic of his native country. Carvalho's slow and mid tempo compositions rely on the sweetness of guitar and flute, with barely dressed arrangements exposing much classically-toned- jazzy skin without recurring to bare and smooth nakedness �with the... read more

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